![]() It also delivered extensive modulation possibilities through an astounding 67 front-panel input/output jacks. A dedicated master panel featured a mixer with VCAs for each of the three voice panels, sample & hold, an additional envelope generator, and two control voltage processors. Dual LFOs and triple voltage‑controllable resonators for each generator further shaped its signature tone. This enabled all 48 keys of the external keyboard to be simultaneously played with independent articulation. Each of these synth panels included 12 independently tunable divide-down oscillator banks as well as independent discrete VCFs, envelope generators, and VCAs for every note. It had three independent "signal generator" panels, each essentially a complete polyphonic synthesizer. PS-3300's unique architecture set it apart from the handful of polysynths available at the time. With its semi-modular design, flexible architecture, and a propensity for rich, sonically evolving timbres, the PS-3300 is often regarded as the holy grail of polyphonic analog synths. It is widely considered one of the most rare analog synthesizers ever made, with around 50 units produced. ![]() The largest and most expensive was the massive PS-3300, a legendary synthesizer produced between 19. Before releasing its renowned line of MS monosynths, Keio Electronic Laboratories (under the KORG brand name) introduced its Polyphonic Series of analog synthesizers.
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